Monday, October 12, 2015

BB 10/12/15



Good morning Phoenix and welcome to Movie Monday!

Today’s scary movie of choice is The Haunting. The original 1963 version, mind you. Not the remake with Catherine Zeta-Jones. The original was beautiful and scary in its simplicity. Filmed in black and white and starring Julie Harris and Claire Bloom, it was incredibly scary. It is based on the famous Shirley Jackson novel, The Haunting of Hill House, published in 1959.

Plot: Dr. Markway, doing research to prove the existence of ghosts, investigates Hill House, a large, eerie mansion with a lurid history of violent death and insanity. With him are the skeptical young Luke, who stands to inherit the house, the mysterious and clairvoyant Theodora and the insecure Eleanor, whose psychic abilities make her feel somehow attuned to whatever spirits inhabit the old mansion. As time goes by it becomes obvious that they have gotten more than they bargained for as the ghostly presence in the house manifests itself in horrific and deadly ways.

Trivia:
• Director Martin Scorsese named this his favorite horror film.
• The famous sharp contrast of the house against the dark sky and the clouds was created by the use of infrared film stock.
• The exterior of Hill House in the film was not a set, but an actual house (Ettington Park Hall Hotel, Stratford Upon Avon), although all the interiors were carefully designed sets on sound stages. While shooting exterior night scenes on location at the real house, Russ Tamblyn has shared a story of having chosen to take a stroll through a cemetery at the rear of the property and having had an experience nearly as terrifying as the film itself. You can hear his story on the commentary track included on the DVD of the film.
• Julie Harris agreed to do the film in part because the role was complex and the idea of the house taking over Eleanor's mind was interesting. But she also chose it because she had a long-standing interest in parapsychology.
• The infamous "bending door" scene was achieved by constructing a prop door composed of rubber. While filming, the bending effect was cause by having a number of stagehands push on the door.

Goofs:
• Because the story was filmed in England, but set in the United States, Eleanor passes a house with a sign reading "To Let" instead of "For Rent".
• When Nell leaves the Boston garage, we can see through her car's back window that there are two English policemen standing on a street corner.
• When Nell is leaving the Garage in Boston, she sees a signpost that is, for the most part correct with respect to route numbers and directions for the towns indicated. However, one sign refers to "US 50" and Nell then reads aloud her directions to take "US 50 from Boston and watch for the turn-off to Route 238." US 50 is nowhere near Boston; prior to the advent of the Interstate system of highways, US Route 50 was one of the principal highways that went straight through the middle of the country from Maryland on the East coast to California on the west coast.
• For a scientist, Dr. Markway exhibits an astonishing lack of scientific curiosity regarding the "Help Eleanor Come Home" writing on the wall they discover. He tells Luke to wipe it off the wall, without even taking photographs of the writing or samples of the chalk-like substance used to write it. (This one is debatable in my book…. I always thought it was simply because he felt Eleanor was seeking attention and wrote it herself)
• When Eleanor runs into a room in Hill House, a close-up shot shows a mirror fall off a mantle on its own. However, a wire is visible attached to the middle of the back of the mirror and going through a hole in the middle of the wall behind it. When the mirror falls, the wire goes slack as the wire feeds out of the hole in the wall, meaning the wire was held taut to hold the mirror up on the mantle until it was time to release the wire.

Have a fangtastic Monday and enjoy!
<3 Brock V"""V


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